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Technology

Going Steady with the Halo Rig HD

By Peter Bohush
The Halo Rig HD from halorig.com

Steer your way to steadier shots with the Halo Rig HD camera stabilizer.

The PHYX Is In: A review of PHYX color software

By Peter Bohush
A screen shot from PHYX software

Sometimes if it ain’t broke, you still might want to PHYX it. This new color tool selectively controls colors and saturation for your video.

Camera Moves Using Sliders - The Dolly Alternative

By Peter Bohush

Director-cinematographer Peter Bohush shows the basic camera slider from Igus.

On "Hot Moves: The Science of Awesome"

By Peter Bohush
A still from "Hot Moves: The Science of Awesome" trailer

Hollywood Camera Work’s new instructional DVD "Hot Moves: The Science of Awesome" shows you how to recreate Hollywood’s big-time shots in your own filmmaking.

Fundraising for Films through Kickstarter

By Warren J. Avery
A still from Jared Gordon's "Timothy Feathergrass"

Get the inside scoop from three local filmmakers currently using Kickstarter to raise funds for their films.

The Magic Bullet for Giving a Blockbuster Look to Your Film

By Peter Bohush
Magic Bullet Looks offers 100 preset movie looks that can be applied to a video with a single click.

On the “cool scale” nothing comes close to the ease with which you can make your drab video look like a Hollywood blockbuster movie with the post-production software bundle Magic Bullet Suite 10.

Three Must-Have Tools for Advanced Editing

By Peter Bohush
Boris Continuum Complete 7

Boris Continuum Complete 7, FxFactory & dvMatte Pro Studio 3 can take your editing to a pro level.

Syncing it Up with PluralEyes: Product Review

By Peter Bohush
Bohush tested PluralEyes for a scene in his film "Foolproof Plan."

Syncing separate audio and picture files used to be a tedious and expensive lab or post production process. With today’s computer editing systems and products such as PluralEyes, it’s easier than ever to do it yourself.

Almost Everything a DSLR Moviemaker (or Anyone Else) Needs To Know About Sound

By Peter Bohush
The sound recordist with a portable recorder over his shoulder doubles as the boom operator.

When DSLR cameras exploded onto the market over the past year, they offered an awe-inspiring improvement in picture quality over video camcorders. But they have one glaring weakness: poor audio recording capabilities. Here's a thorough report on audio recording so that you can spare yourself some unfortunate mistakes.

DSLRs Come into Their Own: Viva la Revolución!

By Peter Bohush
An Example of Depth of Field as Shot with the Canon 5D Mark II DSLR Film/video Camera.

Shooting video on a still camera? Peter Bohush tells us why this is no longer as ridiculous as it sounds - and how it can revolutionize the way you make your film.

DSLR Buyer's Guide: Which Should You Consider?

By Peter Bohush
The Nikon D90 - One of Many Options for the DSLR Enthusiast

So you want to buy a DSLR. Which is right for you? Peter Bohush reports for NewEnglandFilm.com.

Time to Buy That P2? A Review of Panasonic's Camera Lineup

By Lee Hershey
The AG-HPX500.  Does it have your name on it somewhere?

Sure, you want HD. But if you're looking at Panasonic's lineup, which is the right camera for you? Should you wait for the upcoming 3D model?

Not Your Grandfather's Prosumer Camcorders

By David Pierotti
Professional?  Consumer?  Prosumer!  (Photo by Brian Dewitt)

What should you know about the prosumer camcorder market? An overview with a detailed chart of popular cameras with their features and purchase and rental costs.

A Free Education in Film Rules

By David Pierotti
What's the Best Way for Me to Export That HDV Footage? (Photo by Niels van Kampenhout)

The Learning Lab Series at Rule/Boston Camera Film Rental provides a valuable and free resource for the local filmmaking community.

“Crooked Lane” Through the Eyes of RED

By Beth Brosnan
Shooting with RED on the NH set of "Crooked Lane."

Chase Bailey and a crew of New Hampshire filmmakers weigh the pros and cons of using RED to shoot the short film Crooked Lane, which premieres this month at the New Hampshire Film Festival.

Training a Workforce for the Moviemaking Marathon

By April Gardner
CT Film & Digital Media Workforce offers training and resources throughout CT.

As New England attracts more major motion pictures, the race is on to grow a trained workforce. This guide offers an overview of new and ongoing skill-building opportunities to secure work in all aspects of production.

At Long Last: Editor User Groups Combine Forces

By Mike Sullivan
Last month's Boston Avid and FCP user group meeting drew a packed house.

In the first of a two-part series, editor Mike Sullivan investigates how Boston’s Avid and Final Cut Pro user groups find common ground in tumultuous times.

Make Your Film a Virtual Success

By April Gardner
Screen shot of Nicky O'Neill, from the documentary "41."

April Gardner reports on six of the the latest online tactics local filmmakers are using to attract money and audiences to their indie projects.

Three Takes on Virtual Filmmaking

By Mike Sullivan
Not even outer space could stop Galvin from making her doc, What's Going on Up There?

New technologies allow filmmakers to manage projects, from preproduction through post, without seeing the whites of their collaborators’ eyes.

Lighting New England

By Hillary von Schroeter
A Round-D-Round Doorway Dolly by Matthews

Kaye Lites of Woburn, MA recently doubled its size in response to an increased demand for lighting and grip.

Three Filmmakers, Three Cameras

By Jared M. Gordon
Kachadorian's standard:  the Panasonic DVX100.

From tiny and low-tech to the bleeding edge RED camera,
three New England filmmakers explain what they’re shooting on and why.
By Jared M. Gordon

The Digital Mr. Fix-It

By Steve Gay
See the circle? This is a before image.
Perry Paolantonio charts the evolution from “No Frills DVD” to the cutting edge of digital restoration with his Boston-based business, Gamma Ray Digital.

How To Light For Independent Film

By Steve Gay
Do not fear us!
Some practical advice.

Prepping and Posting your Video to the Web

By David Tames
DER has clips from its film collection, like Yuri Vella's World on Google Video.
Which of the many video sharing sites should you use? The answer really depends on your goals for the video.

Delivering Video on the Web

By David Tames
Will Joost transform television?
In a series of articles to appear over the next few months, filmmaker and media technologist David Tamés begins to unravel web media distribution and viewing for those of us who need a translator.

The Not So Rat Race

By Pamela Coleman Charlex Inc. founder Alex Weil discusses One Rat Short, which won Best of Show in the Siggraph Computer Animation Festival, qualifying the film for Academy Award consideration.

First Look: Panasonic AG-HVX200 DVCPro HD Camcorder

By David TamesDavid Tamés details the ins and outs of P2 cards in the second part of this article.

First Look: Panasonic AG-HVX200 DVCPro HD Camcorder

By David Tames
Panasonic AG-HVX200 DVCPro HD Camcorder
In part 1 of this two part series, David Tamés reports on the camera. Next month: the P2 tapeless workflow associated with the HVX200.

Media Revolution: Podcasting (Part 2)

By Steve Garfield and David Tames
A stil from the video podcast for Four Eyed Monsters.
In part two of this two-part article we focus on video podcasting.

Media Revolution: Podcasting

By David Tames
Steve Garfield on Lighting in his Video Blog.
In part one of a two-part article, learn about the who, what, why and how behind the newest form of media information and entertainment -- podcasting.