How To's | Screenplay Doctor | Screenwriting

Ask the Screenplay Doctor: How to Break Into Hollywood

31 Jan , 2010 | Written by Susan Kouguell | Posted by:

In this first installment, professional script consultant Susan Kouguell answers a new writer's most common question: how to break into Hollywood. Email your questions to screenwriter@newenglandfilm.com.

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Filmmaking | Interviews | Rhode Island

Exploring the Great Outdoors with Gus

31 Jan , 2010 | Written by Michele Meek | Posted by:

Rhode Island filmmaker Sean Nightingale teams up with his six-year-old son Gus on an exploration of nature in the series Gus Outdoors. The first installment Gull Island, which screens this month as part of the first-ever Providence Children’s Film Festival, takes viewers to a seagull nesting location in Rhode Island to learn about how the birds hatch and survive.

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Film Festivals | Filmmaking | Interviews | Local Industry | New England | New Hampshire | Screenwriting

Horror in New Hampshire: The Making of YELLOWBRICKROAD

1 Jan , 2010 | Written by Maddy Kadish | Posted by:

Writer/director Andy Mitton discusses YELLOWBRICKROAD, a feature horror film en route to Slamdance.

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Company/Organization Profiles | Corporate | Filmmaking | Interviews | Local Industry | New England | Reports

Lights. Camera. New England. An Update on the Studios in the Region

1 Jan , 2010 | Written by Kerry O’Donnell | Posted by:

Think the studio scene is DOA in New England? Don't pack your bags for Hollywood just yet. Here's a status report on each of the studios planned for the region.

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Industry News | Local Industry | New England

Industry News – January 2010

1 Jan , 2010 | Written by Jared M. Gordon | Posted by:

Screenings, festivals, and opportunities for documentary filmmakers - news & happenings in the local industry for January 2010.

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Filmmaking | How To's | New England | Report from the Front

The Director in All of Us

1 Jan , 2010 | Written by Jared M. Gordon | Posted by:

'Everyone wants to direct,' sure, but how does a director think? Here's a bit of advice on interpreting the theme of your story and offering direction to your actors.

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