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July 2000An Open Letter to the New England Creative CommunitySat, 07/01/2000 - 00:00
By SAG/AFTRA Strike Committee
For the past 2 months, SAG and AFTRA have been on strike over the terms for new commercial contracts. Read their side of the story and post feedback.Dear Friends and Colleagues, Since May 1, 2000 SAG and AFTRA have been on strike over the terms for new commercial contracts. Were writing to you because we are aware that our present work stoppage affects not only actors, but everyone in the creative community involved in producing commercial in New England. We want to take this opportunity to share a few facts with you that we hope will explain why we had no choice but to take this course of action. read more...Mother Knows BestSat, 07/01/2000 - 00:00Posted in
By Amy Souza
Here's the lowdown on all your options for health insurance as a freelancer.Health insurance is one of the necessary evils in life, especially for the self-employed. Its expensive, for sure, but if you dont have it can lead to financial ruin if you get sick. If you are thinking of pursuing a freelance career, be sure to consider your health insurance options. When I made the switch from full-time associate producer to freelance producer and writer, I knew what my Mom would say: "Will you make enough money? And what will you do for health insurance?" read more...Man Around TownSat, 07/01/2000 - 00:00Posted in
By Shannon O'Neill
Veteran of the Boston film community, David Kleiler makes it his mission to get local films "made, sold and seen.”A struggling filmmaker, beret askew, shoots in black and white on a deserted city street, with only one goal in mind: to capture the grit and reality of everyday life. "Finances be damned!" he thinks. "This is art." For many, that is the image that comes to mind when the topic of independent film comes up. But filmmaking is more than art; it is also business. Just ask David Kleiler, director of Local Sightings, Inc., and a 30-year veteran of the Boston film community. read more...Focus on ScreenwritingSat, 07/01/2000 - 00:00
By Kat Thomas
The 2000 Nantucket Film Festival offers up local gems as well as tips of the trade.The Nantucket Film Festival has progressed to become one the premiere film festivals in the New England region since its inception five years ago. Its catchphrase, "Where screenwriters inherit the earth," defines the emphasis that is placed on inspiration and creation of films. read more..."The Perfect Storm"Sat, 07/01/2000 - 00:00Posted in
By Chris Cooke
A review of film shot in Gloucester, MassachusettsThese days it seems that weather has become Big News. Weathermen across the nation keep us informed of all the hurricanes brewing in the Atlantic and help us track their movement as they wander into the Gulf of Mexico or meander up the Atlantic Coast, leaving floods and wreckage in their wake. Weather correspondents deliver their reports from wind-ravaged piers and streets, debris and street signs furiously in motion in the background. read more...Producing Change LocallySat, 07/01/2000 - 00:00Posted in
By Francine Latil
Vermont writer, director and teacher Jay Craven talks to NewEnglandFilm.com about his latest works.Filmmaking and farming may not seem to have anything in common, but filmmaker Jay Craven unites them with a farming metaphor used to describe his work. "A New England farmer milks the cows, looks after the livestock, tends to sugar maples, harvests crops, and does it all," he remarks. read more...Beyond "Troublesome Creek"Sat, 07/01/2000 - 00:00Posted in
By Tiffany Patrick
Filmmakers Steve Ascher and Jeanne Jordan discuss the filmmaking process and their new projects."Troublesome Creek," Steve Ascher and Jeanne
Jordans Academy Award nominated documentary about a familys struggle
to save their Iowa farm, for many would be the achievement of a lifetime.
But these filmmakers continue to produce and direct award-winning
programs, partnering with other filmmakers and working together, as they
did with "Troublesome Creek." Both Jordan and Ascher took time
out to answer a few questions about where ideas come from, when to turn
the camera off, and talk about their new projects. read more... Getting in TuneSat, 07/01/2000 - 00:00Posted in
By Kristen Paulson
If getting music rights to your film seems as daunting as a trip to the DMV, you're not alone. Here's a step-by-step guide to make it through the maze.Attention indie film producers. It's time to acquire music
rights for your masterpiece. You'll need to obtain synch
licensing. You won't find this at the DMV... That's probably a blessing, considering the surliness of the average Department of Motor Vehicles employee. A few years ago, the DMV was convinced I was a man with a DUIon his license who lived in California. They refused, on these high moral grounds, to renew my license. Hmmm. read more... |
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