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August 2001

A Living Master: The Films of Kon Ichikawa

By Vikki Warner
Kon Ichikawa's film "Harp of Burma" will screen at the Museum of Fine Arts, Boston this month as part of the series.

This month, the Museum of Fine Arts, Boston celebrates one of the most respected Japanese filmmakers.

Amazingly, Kon Ichikawa, the subject of an August retrospective screening series at the Boston MFA, is no longer generally regarded as a major force in his own native Japanese film community. In fact, after a brilliant career spanning over half a century, he is thought of in Japan as a has-been, a relic. At 86 years of age, Ichikawa is still making films at a rate of one per year. To Americans, this sounds like staying power, to the Japanese, staying too long. Ichikawa is seen in Japan as being reluctant to throw in the directorial towel read more...

Happy Anniversary NewEnglandFilm.com!

By Samantha Head
The first issue of NewEnglandFilm.com went live in August 1997.

It's been four years this month since NewEnglandFilm.com first launched. Read about how it all began in this interview with the site's founder and publisher, Michele Meek.

From a mere four pages at the start, to over 4,000 now, NewEnglandFilm.com has grown into an indispensable resource for filmmakers. Despite some pessimism at the start from those who thought it would never work, NewEnglandFilm.com is proud to be celebrating it's four-year anniversary this month. To honor the occasion, NewEnglandFilm.com (NewEnglandFilm) caught up with the site's founder and publisher, Michele Meek, to reflect on the founding of the site and the impact that it has had on the filmmaking community.

SH: What sparked the idea for NewEnglandFilm?

read more...

Big Time Fest in RI

By Cynthia Rockwell
Renowned Chinese film "Song of Tibet" premieres at this year's Rhode Island International Film Festival.

Despite its short history, the 2001 Rhode Island International Film Festival is quickly making a name for itself as one of the best film festivals in the country.

One year ago the Rhode Island International Film Festival (RIIFF) was a small but well-respected festival known within the industry for tirelessly working to help filmmakers with their careers. And while this is still the case, things are changing fast. After being profiled in a widely read festival guide and launching a sophisticated, award-winning Web site, RIIFF has reached a new level of status and prestige within the industry.

read more...

Plugged In: More After Effects Filters You Can't Live Without

By Peter Bohush
EchoFire 2.0 enables you to preview work on an NTSC monitor to see what your work will really look on video.

Plugged In: More After Effects Filters You Can't Live Without If you're an AE user, you've got to check out three new plug-ins: Tinderbox 2, Echo Fire 2, and Elements of Anarchy: Text.

Tinderbox 2

Tinderbox 2 for Mac/PC, from England’s The Foundry, is a set of 20 new filters for After Effects. This is not a version upgrade from the popular and useful Tinderbox 1. T2 is a sequel and entirely new product.

read more...

Book Review: "How to Write High Structure, High Concept Movies"

By Peter Bohush
This step-by-step manual guides readers through the process or writing a structurally sound screenplay.

Rob Tobin's new book is a must-read guide to writing high concept, structurally foolproof screenplays.

I used to maintain that a book about writing made as much sense as a car about driving. With Rob Tobin’s book "How To Write High Structure, High Concept Movies," I will make an exception because this is an exceptional book.

The book is exactly what the title states: a step-by-step manual on how to write structurally sound, high-concept, "formulaic" screenplays.

read more...

Moving Paintings

By Tiffany Patrick
Champion of experimental video, George Fifield takes us through the meaning of this art form.

Director of the Boston Cyberarts Festival and Curator of New Media at the DeCordova Museum, George Fifield sheds light on the misconceptions, the history and the meaning of "experimental video."

Experimental film and video, while often used in the same breath, are two very different forms of art. To help see through the labels to the art itself, NewEnglandFilm.com continues its conversation about experimental film and video in New England with George Fifield, Director of Boston CyberArts Festival and VideoSpace.

TP: What's your involvement in experimental film and video?

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A Retrospective of the Designs of NewEnglandFilm.com

By Michele (LaMura) Meek


August 1997
The very first issue of NewEnglandFilm.com featuring 2 articles and a "Seen on the Scene" section.
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The Gulf War

By Chris Cooke
A still from "The Mad Songs of Fernanda Hussein."

A review of the film, "The Mad Songs of Fernanda Hussein," screening as part of the MFA's New England Film Artists Present series.

The Gulf War seems to occupy an ambiguous space in the collective American consciousness. Most people old enough at the time remember what they were doing when they first heard of the bombing (I sat dismayed in the lobby of my college dormitory). But that moment could never be said to have the prominence of a Pearl Harbor or a JFK assassination -- nor even a Nixon resignation, a man on the moon, or an exploded space shuttle. The Gulf War cannot claim to have infected the American soul as much as Vietnam. And yet the Gulf War was, indeed, read more...

Industry News

By Justin Ordman
Locally-produced film "Jucio" will screen as part of the Roxbury Film Festival.

A report of news & events in the local industry for August 2001.

Email news to news@newenglandfilm.com

Film Festivals

The Woods Hole Film Festival continues through August 4th, 2001 in Woods Hole, Massachusetts. The festival places special emphasis on regional filmmakers. For more information about the festival, please call 617-347-0316, e-mail woho32aol.com, or visit http://www.woodsholefilmfestival.com.

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Beyond Color: Azeem Robinson

By Hillary E. Cutter
Director Azeem Robinson offers advice to Susan Griffin (Naomi Scott) during a death scene.

Filmmaker Azeem Robinson talks about the making of "Guilty or Not."

Azeem Robinson is a young filmmaker committed to educating youth on important matters and dedicated to helping the film community in Boston grow. He is constantly pushing himself to become a better storyteller and to enhance his artistic skills. He isn't afraid to tackle any aspect of the filmmaking process and that alone increases the respect his crew and actors have for him.

read more...

How to Be an... Animator

By Maureen Corrigan
Olive Jar/Red Sky recently completed a pilot for Cartoon Network called the "Uncle Gus Show" pictured here.

Do you have a passion for pixels and polygons? If so, read on to find out what it takes to be an animator.

Animation. What’s not to like? Animators dream up cartoon characters, special effects, funny noises -- and call it work. Of course, if you’ve explored the field, you’ve also heard of 60-hour weeks and breakfasts, lunches and dinners with co-workers you know better than your own family. But, to many, the benefits outweigh the sacrifices.

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A Decade of Dedication

By Kat Thomas
"Lakeboat," written by notable local David Mamet, will be featured at the 2001 Woods Hole Film Festival.

For ten years the Woods Hole Film Festival has been celebrating the talent of New England filmmakers. Check out what the 2001 festival has to offer.

The tenth year of the Woods Hole Film Festival (July 28 - August 4, 2001) is a notable occasion on many levels. Founded by Judy Laster and Kate Davis a decade ago, this year is a celebration not only about the longevity of the festival but about the founders of the festival itself -- especially since Davis' award winning documentary, "Southern Comfort," is being screened at Woods Hole this year. It is a festival focusing not only on where New England film is today, but where it has come from. 

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