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June 2001

An Hour with Errol

By Dave Avdoian
Errol Morris diverges from the formula of documentary filmmaking.

Errol Morris talks to NewEnglandFilm.com about his television series, his process, and "labels," in part one of our two-part interview.

Cambridge filmmaker Errol Morris sits down in his office and opens a can of Coke. To his right, propped up on a stool, is a tape recorder. With such masterpieces as "Gates of Heaven," "The Thin Blue Line," and "Fast, Cheap, and Out of Control," Morris has established himself as the most exciting and innovative documentarian in America. Recently, he has turned his attention to the small screen with his television series "First Person." He speaks slowly and deliberately, read more...

Photos from the Women in Film and Video New England Gala

By Hillary E. Cutter


Margie Reedy, host of NECN's Newslight; Robert Patton-Spruill, Filmshack executive; Lucia Small, outgoing president of WIFV/NE.

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An Evening Gala

By Hillary E. Cutter
Amy Geller, incoming president and Lucia Small, outgoing president.

Women in Film and Video celebrate their 20th Anniversary by supporting a local non-profit organization and honoring actress Rebecca Pidgeon.

The 3rd Annual Women in Film and Video/New England Gala took place on Thursday May 24th at the Fairmont Copley Plaza Hotel in Boston. Not only was this a night of celebrating the importance of women in the film industry, it also marked the 20th Anniversary of the organization. Attendees included writers, producers, editors, and actors, bringing together women in all areas of the industry. In the past, Image Awards were given out to honor women who make contributions to the local film community.

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Industry News

By Allison Twomey
"The Empty Mirror" will screen on June 10 at the Harvard Film Archive.

A report of news & events in the local industry for June 2001.

Screenings

The Boston Jewish Film Festival is co-presenting a film with the Museum of Fine Arts, Boston (MFA) called "Brother Born Again." The film screens on June 3, 2001 at the MFA with director Julia Pimsleur present. For more information please contact the Boston Jewish Film Festival at 617-244-9899, email info@bjff.org, or visit their Web site at http://www.bjff.org

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High-Five to Adobe After Effects

By Peter Bohush
After Effects started out as a software program and along the way became an entire industry.

Whether you are an old-time Adobe After Effects user or a novice, you'll find a powerful and feature-packed program in 5.0 that is surprisingly easy to navigate and understand.

If you’ve watched a day of television, or gone to the movies in the last couple of years, you have seen the effects of Adobe After Effects. Now Version 5 has been released, and it’s the perfect time to upgrade from a previous version or to try it for the first time.

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All Eyes on P-town

By Tiffany Patrick
Ted Hope and James Schamus will receive the Filmmakers on the Edge Award at this year's festival.

John Waters, edgy filmmakers, and films on the move? It must be time again for the Annual Provincetown International Film Festival.

If you never go to another film festival, or if you’ve never experienced a festival at all, hop on a boat, take a bus, fill the tank up with gas, but make your way to this New England original. The Third Annual Provincetown International Film Festival kicks off its five-day line up of films and festivities on Wednesday, June 13, 2001 in Provincetown, Massachusetts -- America's oldest art colony.

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Ready! Action! Kill!

By Alex Rapp

Roger Corman helps a first time feature-film director and producer make their own "slasher" film.

These words from assistant director Jack Bradley were among the first I heard on the set, leaving no doubt what kind of film was being made today. Immediately, a young man dressed in black popped out from behind a doorway and firmly wrapped his hands around a pretty blonde woman's neck.

The man was Ciaran Crawford (pronounced Karen), local actor and lead strangler in the new, somewhat unique film production, "The Strangler's Wife," being shot this day in an old home in Dorchester.

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Post-Colonial, Bona Fide, Cape Verdean-American Diva

By Evelyn Adams Carrigan
Claire Adrade-Watkins.

Claire Andrade-Watkins brings the voices of African and "Cape Verdean/Brazilian/Portuguese" filmmakers to the big screen.

For anyone who’s ever had the pleasure of meeting Claire Andrade-Watkins, they would warn you to fasten your seat belts and PAY ATTENTION! Claire is a cyclone of positive energy, attitude and purpose, sweeping you up in her enthusiasm. Her vision is clear: to document, preserve and distribute cultural media from Africa, the Caribbean and the United States, with an emphasis on Cape Verdean-American and Cape Verdean history.

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First-Hand Adventures of a First-Time Filmmaker, Part 9: It Ain't Over Even After It's Over

By Lorre Fritchy
Picture Meets Sound: Lorre with composer Jeanine Cowen.

It ain't over (even after it's over). Lorre Fritchy takes us on her last adventure to discuss music, packaging, and film festivals.

"...so I said 'I don't just get naked for anybody.'" Hey wait, you say that sentence didn't begin at the beginning? Funny, that's what I said when I decided to look at the first copy of my finished film (YES!) only to discover the dub house had CUT OFF the first few seconds of the picture (NO!). Instead of fading in, it just cut in abruptly. The entire film needed to be redubbed, relabeled, and reshrinkwrapped. This, in addition to a few other technical issues surrounding this phase, basically pushed shipping the final film off by about the longest month of my life.

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Stuck with Two Green Thumbs

By Chris Cooke
A still from "Green."

A review of the film "Green" by Marc Powers.

Just when you think you’ve sat through your last Tarantino-inspired crook manifesto, you find another one aimed straight at you. Marc Powers’ "Green," set and filmed entirely in the Boston area, is the latest entry, complete with bickering, two-bit crooks, episodes of altered consciousness, and -- of course -- a few guns here and there.

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Plugged In: Psunami and Delirium

By Peter Bohush
"Delirium" enables you to create or alter images and videos to add fire, falling rain and snow, fog and other special effects.

Two Power-Packed After Effects Plug-Ins Create Big Effects for Film and Multimedia.

Let’s say you have a $100 million budget for your movie and you need to make the world’s most famous ocean liner steam across the screen. Or let’s say you have a somewhat lower budget -- like $1,000, and you need to make the world’s most famous ocean liner steam across the screen.

Solution? Psunami, of course.

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Brother Born Again

By Amanda Johnston of the Boston Jewish Film Festival
A still from "Brother Born Again."

A young bisexual Jewish filmmaker reconnects with her born-again brother in "a film without an ending."

On Sunday, June 3rd, filmmaker Julia Pimsleur brings her intimate documentary, "Brother Born Again," to the Museum of Fine Arts, Boston. Over 10 years ago, Pimsleur’s only brother, Marc, joined a born again Christian community in a remote part of Alaska. The Pimsleurs had grown up in an intellectual, secular Jewish household in Manhattan, and Marc’s choice to join a fundamentalist Christian faith shocked both his mother and his sister. For nearly a decade, there was no communication between Marc and his family, who read more...

How to Be a... Researcher

By Emily Jansen
Evan Hadingham.

As suggested by one of our readers (see, we do listen) this month, NewEnglandFilm.com finds out what it takes to be a film researcher.

If you like exploring new territory, research may be just the job for you. A good researcher is an integral part of any production team. Yet, when was the last time you watched an outstanding film and said to yourself afterwards, "That was an incredible piece of work -- I wonder who researched it"? I would venture to guess that for most people this is not the first question that comes to mind. It is obvious that a producer, director, and editor play significant roles in shaping a film, which is why they tend to read more...