User login

December 1998

Digital Video Camera Buying Guide

By Holly Madden
Canon XL-1

Beta SP is still the industry standard, but digital video is hot on its heels. So what's the big draw? For many local videographers, it comes down to great picture quality, lightweight cameras, and an affordable price.

Beta SP is still the industry standard, but digital video is hot on its heels. So what's the big draw? For many local videographers, it comes down to great picture quality and lightweight cameras at a much more affordable price.

read more...

On the Set of "Eternal Embrace"

By Lorre Fritchy
Director Ziad Hamzeh works with his camera gurus for a scene from "Eternal Embrace."

"Eternal Embrace" might sound more like a romance novel than a one-hour TV pilot. Well, technically, it's both. Meet the team that made it happen...

"Eternal Embrace" might sound more like a romance novel than a one-hour TV pilot. Well, technically, it's both. Shot in the Swampscott/Boston areas, the TV series chronicles the experiences of a Spirit taking on different forms to help the characters of the week’s show. The pilot episode centers on a dying woman who lives vicariously through romance novels. The Spirit comes to life as the "Rogue" – the main character of her latest novel.

read more...

Died Blonde: "Meet Joe Black" Review

By Gentry Menzel
As opposite as life and death, the acting abilities of Anthony Hopkins and Brad Pitt.

As opposite as life and death, the acting abilities of Anthony Hopkins and Brad Pitt come through in this mediocre Rhode Island film.

And you thought YOU had problems. In director Martin Brest's "Meet Joe Black" (loosely based on the play "Death Takes a Holiday"), the Parrish family is just trying to have an intimate dinner – as intimate as dinner can be in an immense Warwick, RI, mansion – when Death, in the guise of Joe Black (Brad Pitt), shows up at the doorstep. Apparently, William Parrish, the 65-year-old patriarch (the always impressive Anthony Hopkins), is on the verge of a fatal heart attack, and Death makes him read more...

Self-Distribution: The Struggle of an Independent

By James Noonan
Filmmaker Frank Ciota distributed his film "The North End."

Traditionally, self-distribution has been viewed as a last resort, but there are filmmakers out there who choose to self-distribute. Find out why...

The thought of self-distributing can strike fear in the hearts of independent filmmakers, or it can provide a great challenge. Traditionally, self-distribution has been viewed as a last resort, but there are filmmakers out there who choose to self-distribute. There are those precious few who know their market: Frederick Wiseman’s Zipporah Films has distributed its own films for over 20 years to universities and libraries.

read more...

Squigglevision: Fun and Good for You

By Keith Wagner
"Squigglevision"

When was the last time you watched Saturday morning cartoons? Well, with Tom Snyder Productions "Squigglevision" on, you might want to start again.

When was the last time you watched Saturday morning cartoons? Me, I was parked in front of the tube only this weekend, but I wasn't vegging out under a 30-minute barrage of animated product placement (and I use "animated" more to describe technique than content). I was watching "Squigglevision," which has returned to ABC for a second season this fall, sporting a new format and new characters, and between laughs I was learning stuff.

read more...

Industry News

By Michele (LaMura) Meek
Still from "The Same Side of Rejection Street" now filming in Boston.

The dish on local films: "Plastic: The Culture of Debt," "The Same Side of Rejection Street" and others. Also, news from local companies & organizations.

Got a scoop? Email all news to news@newenglandfilm.com

read more...

Devastating Blows

By Julie Wolf
A still from "State of Emergency: Inside the Los Angeles Police Department"

In 1993,"State of Emergency: Inside the Los Angeles Police Department" must have been shocking, even revelatory. Five years later, it remains powerful, if sadly familiar.

In 1993,"State of Emergency: Inside the Los Angeles Police Department" must have been shocking, even revelatory. Five years later, it remains powerful, if sadly familiar. While most Americans remember 1991’s horrifying Rodney King tape, Canner and Meltzer compile lesser-known footage of police brutality in Los Angeles, from the Watts riots of 1965 to the 1992 "rebellion" that followed the acquittal of the four white officers filmed beating King. In a disturbing 30 minutes, read more...

SMASH: Gaining Momentum in Boston

By Jen Muehlbauer
history

This Boston-based ad agency shares its past successes and future projects.

How do you make an innovative commercial when you're given the same footage as four other companies?

read more...