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January 1998

How I Did It: The Story of One Independent Filmmaker's Experience

By Memo Salazar
Memo Salazar

Some words of advice and caution from the Massachusetts independent filmmaker of Tragedy of Tonsil.

When I was a kid, I didn't get to watch many movies. My parents, in their infinite wisdom, didn't care for them too much (all that sex and violence) and so I became the only kid on the block who hadn't seen Ghostbusters, The Breakfast Club, or Dirty Dancing on the big screen. When I look back on that now, I'm actually thankful. So many filmmakers today are stuck inside the genre trappings they grew up with that they'll never be able to produce anything remotely read more...

The Next Step: Taking it to the Independent Feature Film Market

By Memo Salazar

All week filmmakers peddle their films the way grocers peddle their produce. The only difference, of course, is that the stakes are much higher, as is the tension and desperation...

Having never attended this carnival of filmmaking, all I could rely on was second-hand information ("it's insane!") from previous attendees. In short: The IFFM is a yearly gathering of filmmakers and film buyers. It is not a festival; it is a market like any other, and filmmakers peddle their films all week the way grocers peddle their produce. The only difference, of course, is that the stakes are much higher, as is the tension and desperation. Throughout the week, filmmakers are free to pursue their goals in read more...

Powderhouse Productions: Small Company, Big Success

By Mike McInnis
joel

Learn how this Somerville, Massachusetts company has been able to produce programs that air on PBS and the Discovery Channel.

Taking its name from the revolutionary war relic — the Somerville Powderhouse — Powderhouse Productions was created in 1994 by industry veterans Joel Olicker and Tug Yourgrau. Since then, they have produced documentary and dramatic programming for broadcast, cable, corporate and institutional clients. Many of their productions have aired nationally on PBS via WGBH in Boston, including a special on South Africa, which was produced following their 1994 elections.

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Good Will Hunting: A Review

By Kiersten Conner-Sax
A still from "Good Will Hunting"

This much acclaimed local film by famed director Gus Van Sant drew lines outside the Kendall Square Cinema in Cambridge, Massachusetts even on New Year's Eve. What can you expect from this New England gem? Read and find out...

To praise with faint damnation, the only things that annoyed me about Good Will Hunting were the occasional slips in Ben Affleck’s South Boston accent. Even Minnie Driver couldn’t find a means of irritating me. Friends told me it was a "feel good" movie, and the occasional television commercial inspired in me a dread of a possible Dead Poet’s Circle of Friends, or Chasing the Rainmaker, or something like that, though I suspected things were going to be all read more...

Ruben and the ATM

By M.M. Goldstein
ca

Former Cambridge/ Brookline resident reports from another world out with tales of a Producer named Ruben complete with Vuarnet shades, slicked back hair, Cuban cigar.

Everybody in LA comes from someplace else, but some people come from places a lot stranger than others, stranger even than LA, and Ruben Hostka is one of them. Now I’m not talking Pacoima here, not even Palmdale, though that’s close since it’s also in the desert; I’m talking Israel, right smack in the middle of the Middle East, surrounded by the possibility of death in all directions. A place that makes even the Bronx, where I come from, look good.

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