September 1998

By M.M. Goldstein

Learn how to structure a screenplay into seven sequences in three acts.

By Jen Muehlbauer It screens independent films, yet mostly wide-release independent films. It’s called the Boston Film Festival, yet viewers can be hard-pressed to find much Boston in it. But take heart – with some probing, we can find some New England roots in this year’s festival.

By Keith Wagner You may be surprised to hear it, but the drive-in theater, that icon of the 50's, is experiencing something of a resurgence. This month, the Drive-In Theatre Fan Club holds a special meeting and double feature in Vermont. And, you're invited...

By Bob HebertNew York director and writer Vincent Sassone shares his experience marketing the short film and feature script for "Italian Lessons" for the Massachusetts organization, Paradise City Media Collaborative.

By M.M. GoldsteinFormer Boston (now LA) Screenwriter M. M. Goldstein shares his thoughts on life as a screenwriter and his spin on the secrets of screenwriting.

By Holly Madden Although at first, the film seems to perpetuate the stereotype of gay men as effeminate, self-absorbed, promiscuous and melodramatic, "All the Rage" comes out with some meaningful reflections on relationships – gay or not.

By Mark LitwakMany filmmakers think that if they can just make a good film, distribution will take care of itself. But veteran filmmakers will tell you that the biggest hurdle is not producing a film, but distributing it. Here's what you should and shouldn't do when it comes time to distribute your film.

By Michele Meek The dish on films in production: "The Love Letter," "Cider House Rules," "All Shook Up," and others. Also, local indie film screenings this month and film organization news.

By Kiersten Conner-SaxThere's a lot to like about this funny, endearing, and genuine movie, but as with sugar-free cookies, it would have been better with, well, some sugar.