Editing

By Peter Bohush

Mocha Pro, from Imagineer Systems, is a complex program that take the complicated process of visual effects motion tracking, rotoscoping, match moving and compositing and makes it super simple.

By Peter Bohush

Tiffen Dfx 3.0: It’s like having a Director of Photography hiding inside your editing system.

By Peter Bohush

The suite gets sweeter. Peter Bohush returns to the Magic Bullet Suite to give you the 411 on Version 11.

By Peter Bohush

Director-cinematographer Peter Bohush shows the basic camera slider from Igus.

By Peter Bohush

On the “cool scale” nothing comes close to the ease with which you can make your drab video look like a Hollywood blockbuster movie with the post-production software bundle Magic Bullet Suite 10.

By Peter Bohush

Boris Continuum Complete 7, FxFactory & dvMatte Pro Studio 3 can take your editing to a pro level.

By Casey Stirling

From new studios to new fellowships to new films appearing in festivals galore, the New England Film Industry is hopping this November 2010. To report news, email news@newenglandfilm.com.

By April Gardner

Warp speed your knowledge of postproduction through coursework at facilities like Future Media Concepts.

By Mike Sullivan

Senior editor Arnie Harchik explains how he integrates 500 hours of studio, location, animated, and audio footage to create one season of WGBH’s Fetch! With Ruff Ruffman.

By Mike Sullivan

In the first of a two-part series, editor Mike Sullivan investigates how Boston’s Avid and Final Cut Pro user groups find common ground in tumultuous times.

By Mike Sullivan Sister/brother duo Julie and Neal Checkoway describe the process of editing their first documentary, Waiting for Hockney, which screens this month at the Newburyport Documentary Film Festival.

By Nikki Chase Three-time Oscar winner, Thelma Schoonmaker, shares tricks of the trade, how to break into "the business" and what it's really like to work with Marty.

By Peter Bohush Peter Bohush reports on what's new with Final Cut Pro 1.25.

By Peter Bohush Writer Peter Bohush profiles Medea Corporation's VideoRaid with his usual tongue-in-cheek humor.

By Kristen Paulson If getting music rights to your film seems as daunting as a trip to the DMV, you're not alone. Here's a step-by-step guide to make it through the maze.

By Sam KauffmannAn informative chapter on "Keeping in Sync" from Sam Kauffmann's book "Avid Editing."

By Lorre Fritchy Lorre Fritchy dives into post-production of her documentary "Sandy 'Spin' Slade: Beyond Basketball."

By Lillian Baulding & Jessica Stephan Hear the secret to editing from local producers such as Errol Moris, the filmmaker of "A Midwife's Tale" and others.

By Fred Muchnik A new nonlinear editing system enters the marketplace and sets a new standard for this former Avid user.