Editing

By Mike Sullivan

Senior editor Arnie Harchik explains how he integrates 500 hours of studio, location, animated, and audio footage to create one season of WGBH’s Fetch! With Ruff Ruffman.

By April Gardner

Warp speed your knowledge of postproduction through coursework at facilities like Future Media Concepts.

By Mike Sullivan

In the first of a two-part series, editor Mike Sullivan investigates how Boston’s Avid and Final Cut Pro user groups find common ground in tumultuous times.

By Mike Sullivan Sister/brother duo Julie and Neal Checkoway describe the process of editing their first documentary, Waiting for Hockney, which screens this month at the Newburyport Documentary Film Festival.

By Nikki Chase Three-time Oscar winner, Thelma Schoonmaker, shares tricks of the trade, how to break into "the business" and what it's really like to work with Marty.

By Peter Bohush Writer Peter Bohush profiles Medea Corporation's VideoRaid with his usual tongue-in-cheek humor.

By Peter Bohush Peter Bohush reports on what's new with Final Cut Pro 1.25.

By Kristen Paulson If getting music rights to your film seems as daunting as a trip to the DMV, you're not alone. Here's a step-by-step guide to make it through the maze.

By Lorre Fritchy Lorre Fritchy dives into post-production of her documentary "Sandy 'Spin' Slade: Beyond Basketball."

By Sam KauffmannAn informative chapter on "Keeping in Sync" from Sam Kauffmann's book "Avid Editing."

By Lillian Baulding & Jessica Stephan Hear the secret to editing from local producers such as Errol Moris, the filmmaker of "A Midwife's Tale" and others.

By Fred Muchnik A new nonlinear editing system enters the marketplace and sets a new standard for this former Avid user.